The benefits of this innovative method did not take long to be noticed by dance groups, companies, teaching institutions, and choreographic centres around the world. Through imaginary stories, visualisations of colours, or conscious sensory exploration, they evoke the performers’ genuine feelings.įinally, the mental and corporeal agility that the method aims to bring to the surface also gives the performer the freedom to express sensitivity, make assertive decisions, and even calculate risks. They search for the emotional authenticity in the inner depth of the dancer. They strive to make these physical abilities transform into a vehicle expressing emotions and ideas, and even become a concise and effective means of communication with the spectator. In their methodology they consciously work with all the movable parts of the body. However, to them physicality also comes to mean a philosophy, which requires total physical, intellectual, and even emotional immersion. This is why their dancers are required to be versatile and technically well-trained. It emphasises physicality because the fundamental preoccupation of both creators is the physical potential of the dancers. The methodology actually resulted as a need to devise their work tools. They have spent countless hours developing this methodology in the studio. The chance to work and be in contact with dancers from many distinct cultures and nationalities has served them well to test and verify the effective scope of their personalized method. Together they have shaped and honed a work methodology brought about as a result of their particular needs and fuelled by their inquisitiveness. The Metamorphosis Method arose from the experience of its two architects, Iratxe Ansa and Igor Bacovich.
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